KINGDOM COME
 



 

Too

2000


   

From L - R:

Oliver Kiesner: Guitar
Mark Cross: Drums
Lenny Wolf: Vocals
Mark Smith: Bass
Mirko Michalzik: Solo Guitar

Additional Musicians:
Bjoern Tiemann: Keyboards
 

Discography:

Audio samples
Too
Spitfire records 2000 buy
 


IN GERMAN:

Bei der Aufzählung der markantesten Stimmen im Bereich internationaler Rockmusik fällt neben den Protagonisten der Szene wie etwa Steven Tyler, Ozzy Osbourne, Ian Gillan oder Sammy Hagar sehr häufig auch der Name Lenny Wolf. Wolfs helles und zugleich kraftvolles Timbre, seine fabelhaften Melodiebögen und die jederzeit greifbare Leidenschaft, mit der er seine Songs vorträgt, sind unverwechselbar. Neben dem unüberhörbaren Faible für dramatische Arrangements und packende Orchestrationen, wie sie beispielsweise in seinem neuen Song ´Too Late` eindrucksvoll zu hören sind, ist seine Stimme ein ganz eigenes Trademark geworden. Mit seiner Band Kingdom Come hat der gebürtige Hamburger mit Wohnsitz in Los Angeles zahlreiche Alben an den Start gebracht, die – trotz unterschiedlicher Verkaufserfolge – ein gleichbleibend hohes kompositorisches wie auch technisches Niveau aufweisen. Lenny Wolf´s Kingdom Come veröffentlichen mit Too nun ihren achten Longplayer, und präsentieren sich erneut in brillanter Spiellaune.

Too lebt, wie schon seine sieben Vorgänger, von einer eindringlichen Atmosphäre, wie sie in dieser Form wohl nur Lenny Wolf erzeugen kann. Der stimmungsvolle Opener ´It Ain´t So Bad`, das nachfolgende, sehr groovige ´Free Your Mind` und ´Waiting`, mit einer einfühlsamen Stimmung, offenbaren gleich alle Stärken von Kingdom Come. In ´Tell Me What I´ve Done` beweist die Band (Lenny Wolf, Gesang & Gitarre; Oliver Kiessner, Gitarre; Mirko Michalzik, Gitarre; Mark Smith, Bass; Marc Cross, Schlagzeug; Björn Tiemann, Keyboards), dass sie auch bei beherztem Griff in die Instrumente niemals die feinen Gesangsmelodien aus den Augen verliert. Zudem glänzen die beiden Gitarristen Oliver Kiessner und Mirko Michalzik hier mit kraftvollen Powerchords und einem fesselnden WahWah-Solo. Das direkt anschließende ´Should Have Told You` wiederum präsentiert schwarze Bluenotes über einem treibenden Drumbeat, und gipfelt in einem klassischen Rockmusik-Rephrain der kernigen Sorte. Das Opus endet mit ´Joe Englisch`, einem echten Partyrocker, der direkt in Bauch und Beine geht. Elf Songs mit dem Gütesiegel ´KC`: Diese Welt ist Dank Too um ein weiteres musikalisches Highlight reicher.

Taken from CMM
 

BIOGRAPHY:

In 1988, after having been signed to Polygram Records, New York by Derek Shulman, Lenny Wolf and his manager Marty Wolff (no relation), were asked to put a new band together. The players he chose for his new band were: James Kottak on drums, Danny Stag on lead guitar, Rick Steier on rhythm guitar and Johnny B.Frank on the bass guitar (for more background see Lenny Wolf Biography).

A very lucky event happened when Lenny was introduced to Bob Rock, who is best known for his work with Bon Jovi, Aerosmith, Loverboy and Metallica. "Working with Bob was one of the best times I've had during my career. Being a musician himself, knowing how to get the best out of a band, a similar outlook on how the sound should be and working in a great studio (LittleMountain in Vancouver, Canada) were major reasons for the first record's success", - says Lenny.
Having finished the record Bob and Lenny flew to New York to mix it at the Electric Lady Studio, formerly owned by Jimmy Hendrix. During the mixing session of "Get It On", John Kalodner, a John Lennon look-alike and one of American rock's most listened to men, stopped by to say "hi". He liked the song and asked if he could take a cassette with him. As far as is known, the tape ended up at a radio station in Detroit, which played the song without anyone in the band or Polygram Records knowing about it. Hard as it is to believe, other stations actually recorded the song off the air since the record had not even been released yet. The American music industry magazine "Album Network" reported about a mysterious band, which kept the telephone lines of Detroit's rock stations busy for days. Suddenly, a few weeks later, all of America's rock stations were playing "Get It On". Kingdom Come shipped gold (500,000 copies), before the label or the band itself were able to discuss the first single.
Kingdom Come toured throughout Europe opening for an English band called "Magnum", while the news from the states kept on getting more and more exciting by the minute. Timing could not have been better and Kingdom Come ended up on the first American tour named "Monsters of Rock", playing with Van Halen, Scorpions, Metallica and Dokken. "Besides having to sing at 2 o'clock in the afternoon, it was the greatest time of my life. Strange enough, playing in front of 500 people makes me sweat a lot more than facing 80,000 rock heads in New Jersey's Meadowlands Stadium", - says Lenny. After the Monsters of Rock tour Kingdom Come continued touring America with the Scorpions for another two months.......

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